Disposable love
In home-movies shot in the ‘90s by her father, the filmmaker discovers in these inherited images powerful fictions of the Argentinian middle class and the country’s recent history.
Azul AizenbergDirector
Azul AizenbergWriter
In home-movies shot in the ‘90s by her father, the filmmaker discovers in these inherited images powerful fictions of the Argentinian middle class and the country’s recent history.
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